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Cosmic Scholar

The Life and Times of Harry Smith

Audiobook
1 of 1 copy available
1 of 1 copy available
He was an anthropologist, filmmaker, painter, folklorist, mystic, and walking encyclopedia. He taught Patti Smith and Robert Mapplethorpe about the occult, swapped drugs with Timothy Leary, sat at the piano with Thelonious Monk, lived with (and tortured) Allen Ginsberg, and argued film with Susan Sontag. He was always broke, always intoxicated, compulsively irascible, and unimpeachably authentic. Harry Smith was, in the words of Robert Frank, "the only person I met in my life that transcended everything."
In Cosmic Scholar, John Szwed patches together, for the first time, the life of one of the twentieth century's most overlooked cultural figures. From his time recording the customs of Native American tribes in the Pacific Northwest and Florida to living in Greenwich Village in its heyday, Smith was consumed by an unceasing desire to create a unified theory of culture. He was an insatiable creator and collector, responsible for the influential Anthology of American Folk Music and several pioneering experimental films, but was also an insufferable and destructive eccentric who was unable to survive in regular society. He was "so devious," said Ginsberg, and "so saintly."
Exhaustively researched and energetically told, Cosmic Scholar is a feat of biographical restoration and the long overdue deification of an American icon.
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    • Publisher's Weekly

      Starred review from August 7, 2023
      In this vividly detailed biography, music scholar Szwed (Billie Holiday) brilliantly captures the life and legacy of the enigmatic filmmaker, folklorist, painter, producer, anthropologist, archivist, Kabbalist, and alchemist Harry Smith (1923–1991). Gathering information about Smith’s “scattered” life from incomplete archives (much was lost during Smith’s stints living on the streets), Szwed paints his subject as an influential force in American art, admired by the likes of Leonard Cohen, Patti Smith, and Allen Ginsberg. Smith’s work elided boundaries between folk and fine art; his landmark 1952 Anthology of American Folk Music, a six-LP collection of rediscovered commercial recordings, was instrumental “to the folk music revival,” while several of his films, including Heaven and Earth Magic (1957) and Mahagonny (1980), were featured in the Museum of Modern Art and the Louvre. Despite his influence, he died destitute, of cardiac arrest, in a Manhattan hotel room in 1991, the same year he won a Chairman’s Merit Award Grammy with Harry Belafonte. Drawing on extensive research to fill in his subject’s emotional states, Szwed sensitively renders the extraordinary, bizarre, and ultimately tragic life that Smith “devoted... completely to art, in some ways turning into a work of art, his own personal surrealism.” The result is a masterful ode to a “strange and singular character” in American arts.

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  • English

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