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Jacob's Hands

A Fable

Audiobook
1 of 1 copy available
1 of 1 copy available

Jacob's Hands A F A B L E Jacob Ericson, a shy, enigmatic, and somewhat inept ranch that his hands possess the mysterious gift of healing: a gift he uses to cure animals and Sharon, the woman he adores. His gift is quickly exploited and the boundaries of his charm and naïveté begin to stretch. Following Sharon to Los Angeles, Jacob offers his healing powers for free at a church in Los Angeles, and then at a seedy stage show where his beloved Sharon also works. It is when Jacob is recruited to heal Earl Medwin, an eccentric, ailing young millionaire, that the love and security for which he has worked so hard begin to collapse. Jacob's Hands is a seamlessly crafted tale showing the dangers that a magical gift will undoubtedly bring to even the sincerest of characters.

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    • Publisher's Weekly

      August 31, 1998
      Forgotten in a trunk for six decades and uncovered by actress Sharon Stone, who flirted with the idea of producing it, this sentimental screen story, or novella, revisits the 1920s with a nostalgic eye. Gentle, simple-souled Jacob Erickson works on a ranch in the Mojave desert as a semi-magical healer of sick and injured animals. When Sharon, the boss's crippled but stage-struck daughter, asks shyly adoring Jacob to heal her, too, he obliges and she flees the ranch. Eighteen months later, they meet again in L.A.: he's a workman, healing children who are brought to him at a small church; she works in a burlesque theater--the reality pit stop of her stage dreams. Seeing money in Jacob's powers, the theater's unscrupulous managers blackmail Sharon into convincing Jacob to go into the healing business with them. Sharon and Jacob should go back to the clean pure desert and do some good, but they are trapped by Jacob's compassion for one of his patients, Earl Medwin, the chronically ill heir to a vast fortune, and by Sharon's final surrender to temptation--Earl's assiduous attentions and all that money. Written in the present tense, occasionally in summary paragraphs that seem to be standing in for dialogue, Huxley's and Isherwood's collaboration makes even Forrest Gump (which it resembles much more closely than, say, Isherwood's Cabaret-inspiring The Berlin Stories or Huxley's Brave New World) look morally complex. Even so, it exposes a strong spine of dramatic conflict and a definite period charm. Agent, Dorris Halsey; film rights to Arthur Axelman, Rialto Films and Dorothea Petrie. (Sept.) FYI: The book's jacket will feature an illustration by Don Bacardi, who was Isherwood's lover.

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