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Body Language

Writers on Identity, Physicality, and Making Space for Ourselves

Audiobook
1 of 1 copy available
1 of 1 copy available
Bodies are serious, irreverent, sexy, fragile, strong, political, and inseparable from our experiences and identities as human beings. Pushing the dialogue and confronting monolithic myths, this collection of essays tackles topics like weight, disability, desire, fertility, illness, and the embodied experience of race in deep, challenging ways. Selected from the archives of Catapult magazine, the essays in Body Language affirm and challenge the personal and political conversations around human bodies from the perspectives of thirty writers diverse in race, age, gender, size, sexuality, health, ability, geography, and class-a brilliant group probing and speaking their own truths about their bodies and identities, refusing to submit to others' expectations about how their bodies should look, function, and behave. Covering a wide range of experiences-from art modeling as a Black woman to nostalgia for a brutalizing high school sport, from the frightening upheaval of cancer diagnoses to the small beauties of funeral sex-this collection is intelligent, sensitive, and unflinchingly candid. Through the power of personal narratives, as told by writers at all stages of their careers, Body Language reflects the many ways in which we understand and inhabit our bodies.
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    • Publisher's Weekly

      Starred review from March 21, 2022
      Originally published in Catapult magazine, these lyrical and incisive essays cover a wide range of topics related to the human body, including birth, death, race, gender, size, disability, and fertility. In “The Crematorium,” Nina Riggs compares witnessing her mother’s cremation while undergoing her own cancer treatment to “some kind of morbid test drive.” Elsewhere, Destiny O. Birdsong offers a harrowing account of trying to find relief for her chronic illness within a medical system that misunderstands Black women and their pain; Kayla Whaley recounts how she learned to accept her feeding tube after losing the ability to swallow solid food; and A.E. Osworth discusses “the thrill of thirst trapping” as a trans person: “When I chopped my tits off, I could finally look in a mirror. Never before have I wanted a photographic record of what I saw there.” In “Little Pink Feet,” Maggie Tokuda-Hall recalls how she sought solace in baking macarons after undergoing painful fertility treatments and a miscarriage, while Gabrielle Bellot’s “The Year of Breath” reflects on the Covid-19 pandemic and “the systematic eradication of Black and brown bodies like my own by ravenously racist cops.” Marked by the diversity of its contributor’s perspectives and the vibrancy of their prose, this anthology shines.

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  • English

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